FILMOGRAPHY

The Wind Variations (1968)

16mm, color, silent, 18 min @ 18fps. 

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Photo by Alexandris: Cover of Filmmakers Newsletter

Summer 1969, Vol2, No 9-10

THE ADVENTURES OF THE EXQUISITE CORPSE

The Adventures of the Exquisite Corpse, Part I

 Huge Pupils (1967-1968)

16mm, Kodachrome II, silent, 61 min @18fps.

The Adventures of the Exquisite Corpse, Part II

False Pretenses (1974)

16mm, Kodachrome II & Ektachrome, silent, 62 min @24 fps.

The Adventures of the Exquisite Corpse, Part III

Charmed Particles (1978)

16mm, black & white/Plus X & 4X, silent, 78 min​ @18fps.

The Adventures of the Exquisite Corpse, Part IV

The Lighted Field (1987) 

16mm, black & white, silent, 62 min @ 24 fps.

The Adventures of the Exquisite Corpse, Part V

Imaginary Light (1994) 

16mm, black & white, 32 min @ 24fps

Sound by Andrew Noren.

The Adventures of the Exquisite Corpse, Part VI

Time Being (2001)

Digital, color and B&W, 62 min

Sound by Andrew Noren, Sound Design by Jacques Vitte.

The Adventures of the Exquisite Corpse, Part VII

Free To Go (Interlude); (2003)

Digital, color and B&W, silent, 62 min.

The Adventures of the Exquisite Corpse, Part VIII

 Aberration of Starlight (2008)

Digital, color and B&W, silent, 91 min​.​ 

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Photo by Rise' Hall-Noren

EARLY FILMS 

A Change of Heart (1965)​

16mm, 81 min.

Say Nothing (1965)

16mm, ​30 min​.​ 16mm Tri-X reversal

Recognitions ​(1965-67)

​16mm, 240 min.

The New York Miseries ​(1966)

180 min.

Bathing (1967)

16mm, 10 min.

The Trouble with Harry (pre 1969) Lost

Scenes From Life (Golden Brain Mantra); (1972)

16mm, color, 30 min.

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FELLOWSHIPS & GRANTS

With thanks to the following for the generous support over the years that made many of the films possible: American Film Institute, John Simon Guggenheim Foundation, National Endowment for the Arts, New York State Council on the Arts, New Jersey State Council on the Arts, and Friends of New Cinema.

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